Archives for March 2013

Why Freelancing Is Like Juggling a Bunch of Flaming Chainsaws

flamejugglerI went full-time freelance almost six years ago, and I feel as if the entire expanse of it has been one big experiment in finding (and maintaining) the right balance.

And I’m not talking work/life balance. Please. Let someone else write 2,000 words about work/life balance, and whether or not I, as a woman, can “have it all.”

I’m talking about the balance between passion projects and bill-paying projects. The balance between regular clients and the freelance hustle. The balance between doing something for the bucks and doing something because it’s damn good fun.

I don’t know about you, but it seems to me that being a freelance writer has become tougher since I first started out.

Sure, there are increased opportunities: self-publishing, social media management, info-products, passive income, and guru-hood.

But strictly speaking, not all of these are writing gigs. In fact, most of them aren’t. And that’s the lament I’ve seen popping up on every single freelance forum on which I’m active: Can I still make a living as a freelance writer? Is it worth it to continue pitching the same old shit to publications with shrinking budgets? Should I just screw it all and go do something else? [Read more…]

What Got Me Here: Self-Education, Goal-Setting, Hard Work, and a Helluva Lot of Privilege

A perfect illustration of my day-to-day as a freelancer.

A perfect illustration of my day-to-day as a freelancer.

When the Nate Thayer / Atlantic kerfuffle occurred, I cycled quickly through a series of reactions.

First, I felt a knee-jerk “Damn the man! Save the empire!” swell of joyful rebellion.

Then, after reading senior Atlantic editor Alexis Madrigal’s response — an explanation of the limits of digital publishing — I felt recognition.

That’s when I wrote this on one of the freelance writer forums I frequented:

“I must admit, I feel for those on both sides of this equation. I feel as if Nate Thayer obviously deserved to be horrified that he was being asked to re-purpose a piece for free… especially from a publication as well-established as the Atlantic. I also feel as if he shouldn’t have published those emails. Having worked at an online publication with a shit budget, I know that it was out of the editor’s hands. And then there’s Alexis Madrigal’s piece, which I found interesting. Because I think it gets to the root of the issue: The digital publishing model is hopelessly broken and devalues the work of writers, while at the the same time making it difficult for publications to stay afloat.

I’m not going to go into the issues of plummeting ad dollars and whether or not paywalls are a good idea and blah blah blah because it’s all been said before (though, personally, I’d pay for content if it was of higher quality than the drivel so often found on content mills… it’s why I subscribe to publications like Oxford American and Creative Nonfiction and Poets & Writers).

But I will say that the experience Alexis described in his piece rings true. At one point, I launched and managed a blog for an online publication, and it was a lesson in frustration and despair. The budget I was given was insulting. I wanted to bring in quality content, but the money I had to offer wasn’t worthy of the writing I wanted. In some cases, I pushed back against the publisher, trying to negotiate more money or better contract terms for my writers. But it was an uphill battle. And I’m seeing the same thing happening at most other publications.

I mean… isn’t that why so many of us have diversified? It’s become impossible for us to be paid what we’re worth for the work we’re most proud of?”

After writing that, I read through a slew of posts from freelance writers who either championed writing for free or shamed publications for expecting us to work for exposure. I felt the same sort of conflicted confusion I’ve already written about here.

And then, finally, I came upon this post over at Gawker, about what happens when people write for free. It pointed out what wasn’t being mentioned in the endless back-and-forth between online writers and digital editors: the fact that the writing game is “rigged for people who already have money.” [Read more…]